
The FBI’s J. Edgar Hoover Building may be the District’s most universally reviled landmark. Designed in the 1960s and built in the 1970s, it’s a standout example of why Brutalist architecture came and went with such speed and abandon —…
Myron Martin discusses the art program for The Smith Center in Las Vegas.
Fort Worth once was a rough-and-tumble frontier town, dusty and lawless, home to the brave and the brawling, the soldier, the frontiersman, the outlaw. Today, the “City of Cowboys and Culture” is the one of the largest cities in Texas and the 16th-largest city in the United States.
It’s a destination shaped by a commitment to its downtown revitalization and urban renewal, a dedication to its world-renowned cultural arts district, rich pride in its Western heritage and a loyalty to major-league attractions.
Architect David Schwarz and Acoustician Paul Scarbrough discuss the strategy for and importance of the integration of architectural and acoustical design.
Architect David Schwarz talks about his favorite space in The Smith Center, The Founders Room.
Architect David Schwarz discusses the challenges of finding authentic context in Las Vegas, and the iconic building from which he ultimately drew contextual inspiration.